With soon-to-be-famous musicians like Mitch Mitchell, Pete Townshend, Eric Clapton and John Entwistle frequently stopping in, a community was forming at the store where locals in the midst of a burgeoning rock scene could get away from the big band crowd and talk shop. Originally named “Jim Marshall & Son,” Jim and his son Terry Marshall opened their doors in July 1960 at 76 Uxbridge Road in Hanwell, England.Įventually the store changed its name to “J & T Marshall” and opened a second location across the street. As his number of students and desire to be a major drum dealer grew, it was clear he was going to have to set up his own shop. He entered the London music scene as a drummer, first gigging with a local big band and eventually giving lessons out of his house. Jim Marshall - the “Father Of Loud” and namesake of the company - was not a guitar player. While we do some decoding of various model names in this article, you can get a full breakdown of serial number dating and speaker codes for Marshall amps in our Marshall Dating Guide. While Fender amps may have blazed a trail for country and early rock ‘n roll, we owe modern lead guitar tone to the precedent-setting Marshall amps of the ‘60s and ‘70s.īelow, we're taking a look at the iconic models and events from the company’s birth in 1962 to the end of hand-wired production in 1973. From the early JTM 45 prototypes to the Bluesbreaker combos and later innovations, Marshall stood for a particular sonic response, a brand of British rock quite separate from the jangly tones of Vox amps. The legacy of Marshall amps doesn’t rest solely upon the 100-watt Super Lead, though. In some cases, the band could now drown out the crowd completely. For the first time, people could see a band live with hundreds of thousands of fellow fans and actually hear the band over the crowd.
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